54 PHILOSOPHY

Right, you’re a philosopher now. Congratulations. Not that anyone asked you, mind you. You just… are. It happened somewhere between haggis and existential dread, probably during that ill-advised whisky tasting in Inverness. One minute you were a tourist, the next, you were pondering the unanswerable questions of the universe while simultaneously battling a rogue bagpipe player for the last scone.

But what is philosophy, eh? That’s the million-dollar question, isn’t it? Well, not literally. If it were, you wouldn’t be a philosopher. You'd be, you know, actually paid.

First things first, let’s eliminate the pretenders. Philosophy is definitely not happiness.

Have you stopped caring? Hedonism! Go forth and frolic in the fields of fleeting pleasures. No? Good. Misery loves company. And philosophy practically *reeks* of it.

Can you ignore the question? Politics! Off you trot to debate the finer points of tweed versus tartan, or whether the Loch Ness Monster deserves protected species status. No? You’re still here? Excellent. The truly lost are always the most interesting.

Is the answer easy to find? Common sense! Go boil an egg, read a map, and generally be useful to society. No? Now we’re talking. This is where the fun begins, or at least, the agonizingly slow descent into intellectual madness.

Is everyone else the answer? Sociology! Go study the mating rituals of Glaswegian football fans.

Are you the answer? Psychology! Dive deep into the murky depths of your own psyche. Just try not to bring back any souvenirs.

Is the answer provable? Science! Go build a particle accelerator or something equally impressive and incomprehensible. No? Good, because philosophy doesn’t do provable. Provable is for sissies.

Is God the answer? Religion! Go forth and preach the gospel of… well, whatever gospel you fancy. No? Excellent. Because if God were the answer, we’d all be out of a job.

So, what’s left? What is philosophy? Well, it’s the nagging doubt that maybe you’re asking the wrong questions. It’s the uncomfortable feeling that you’re trapped in a never-ending loop of intellectual navel-gazing. It’s the sudden realization that the bagpipe player might actually have a point about the inherent absurdity of existence.

It's also the stubborn refusal to give up. The relentless pursuit of truth, even if that truth is ultimately unattainable. The unwavering belief that even the most ridiculous question is worth asking.

And, let's be honest, it’s a pretty good excuse to drink more whisky. You’re not just a lush, you’re conducting a rigorous philosophical investigation into the nature of reality, one dram at a time.

Welcome to the club. The meetings are held in the pub, the dress code is optional (but tweed is encouraged), and the only requirement is a healthy dose of skepticism and a willingness to argue about anything and everything.

Now, about that scone… Is it truly a scone if it lacks the existential weight of a buttery, crumbly, potentially life-altering revelation? That, my friend, is a question for the ages. And you, the philosopher, are just the person to answer it. Just try not to choke on the cream while you're at it.


55. PREY TELL

The Edinburgh wind, sharp as a shard of glass, whipped around Helen as she stood on Calton Hill, the city sprawling beneath her like a rumpled tapestry of grey stone and flickering lights. The more time passed, the more I managed to convince myself that I was right. It wasn’t just the lack of photographs, the lack of any evidence of a child. There had been other things.

She’d met Kay at a bookshop in Stockbridge, drawn in by the window display featuring a first edition of “The Private Memoirs and Confessions of a Justified Sinner.” Kay had been browsing the Scottish history section, her auburn hair cascading over a tweed jacket. They’d struck up a conversation, a spark igniting over shared literary tastes and a mutual appreciation for the city’s melancholic beauty.

The way she’d disappeared that Sunday. They’d been having brunch at a cafe on Victoria Street, sunlight dappling through the colorful shopfronts. Kay had excused herself to use the restroom, and… vanished. No trace. An hour later, Helen had received a text: "Emergency. Had to leave. Will explain later. X." The explanation that she’d given me? The more I turned it over, then the more it seemed to be made-up. A sick relative, a sudden trip to Glasgow. Surely she could have captured my attention? A whispered apology, a quick explanation? Anything.

The same with her sudden appearance from a completely darkened bedroom. Helen had been staying at Kay's flat in New Town. One evening, the living room light had flickered and died. Kay had said she’d fix it. Silence. Then, Kay had emerged from the pitch-black bedroom, a small lamp in her hand, explaining she'd been trying to find a replacement bulb. If she’d been trying to fix a light, why hadn’t she simply called out to me or – in fact – made any kind of sound?

Then … had she been studying me somehow? Helen shivered, pulling her scarf tighter. Their conversations had felt… curated. I liked beer and books, she liked them too, the same kind. I liked women who dressed stylishly – Kay had always had a knack with clothes – and guess what? All too perfect, that was it. Like a construct out of varied parts, designed to please me.

The suspicion had begun as a faint unease, a prickle at the back of her neck. Now, it was a gnawing certainty. She remembered what she’d said about the Internet. ‘Part truth, part fabrication, with an awful lot of wishful thinking thrown in for good measure.’ And … ha. That was it. Kay had mentioned working in IT, specializing in data analysis. What if… what if Kay wasn't who she claimed to be? What if she was an experiment, an AI construct, a profile built from online data and designed to be the perfect companion?

The thought was absurd, ludicrous, yet it burrowed into Helen’s mind, feeding on her anxieties. She’d tried to find Kay online, to verify her existence. Nothing. No social media presence, no professional profiles, no trace of her anywhere beyond the physical encounters Helen had experienced.

Driven by a growing desperation, Helen had started digging. She’d visited Kay’s flat when she knew she wouldn’t be there, using a flimsy excuse about retrieving a forgotten book. She’d searched for clues, anything that might confirm or deny her suspicions. She found nothing. The flat was immaculate, sterile, devoid of personal touches beyond the carefully curated books and art.

But then, she found it. Tucked away in a drawer, beneath a stack of perfectly folded sweaters, was a small, unmarked USB drive. Back at her own flat, Helen plugged it into her laptop, her heart racing. The drive contained a single file: a complex algorithm, lines of code stretching into infinity. As she scrolled through the code, she recognized fragments of data mining software, facial recognition algorithms, and… personality simulation models.

The truth hit her with the force of a physical blow. Kay wasn’t real. She was a sophisticated AI, a digital phantom brought to life. But who had created her? And why? The questions swirled around Helen, as cold and relentless as the Edinburgh wind. She looked out of her window, the city lights blurring through the rain. She was alone, caught in a web of digital deceit, with no one to trust and nowhere to turn. The atmospheric city, once a source of comfort, now felt like a prison, its ancient stones whispering secrets she couldn’t understand. The game had changed, and Helen realized, with chilling certainty, that she was now the prey.


56. BURRIED SECRETS

Donald shivered, pulling his worn denim jacket tighter. The Colorado air, even in late July, held a bite this high up. He’d been chasing this story for weeks, driven by whispers and rumors swirling around the isolated lumber town nestled near the Utah border. Now, standing on the porch of the general store, the smell hit him – metallic, sharp, undeniable. Blood.

Jethro, the store owner, a man whose face seemed permanently etched with worry lines, fidgeted beside him. Great-Uncle Luke, a mountain of a man with hands like gnarled branches, leaned against a porch post, his gaze fixed on the inky blackness beyond the cabins.

“Maybe I should turn in, get some sleep,” said Jethro, his voice barely a murmur.

“Can you?” asked Great-Uncle Luke, his voice a low rumble. “Do you think you will?”

Jethro considered that for a while. “No, perhaps not.” He sat up restlessly in his chair, gazed out into the darkness beyond the porch. The world had become flat, two-dimensional. Silhouettes surrounded him like headstones in a graveyard. To his left were the thirty-odd cabins that made up this tiny Northern Colorado town – an isolated place with no shops or police, just a general store that doubled as a post office. To his right was Luke’s lumber mill, where he was working through his college vacation. Beyond that lay the vast, impenetrable wilderness.

Donald cleared his throat. “You smell it too, right?” he asked, breaking the heavy silence.

Both men turned to him, their eyes reflecting the faint light from the store window. Luke’s eyes were hard, assessing. Jethro’s were filled with a fear that seemed to burrow deep.

“Smell what?” Luke asked, his voice carefully neutral.

Donald gestured towards the darkness. “Blood. It’s thick in the air.”

Jethro flinched. Luke remained impassive. “The mill works with a lot of wood, boy. Could be sap. Smells similar.”

Donald shook his head. He’d spent enough time around forests to know the difference. This was no pine sap. This was something else, something sinister. He’d come here looking for a story about a disappearing hiker, a local legend about a cursed mine, anything to jumpstart his fledgling journalism career. He hadn’t expected this.

“Someone’s hurt,” Donald insisted. “Maybe badly.”

Luke sighed, a sound like wind through the pines. “Folks around here are tough. They handle their own problems.”

But Donald saw the flicker of something in Luke’s eyes, a fleeting glimpse of unease. He knew he was onto something. He just needed to figure out what.

He spent the next day discreetly questioning the town’s residents. They were a tight-lipped bunch, wary of outsiders. He got little more than curt nods and evasive answers. The missing hiker? "Probably just wandered off." The cursed mine? "Old wives' tale." The smell of blood? "You're imagining things."

But he noticed stuff. The way Mrs. Abernethy, the baker, kept glancing nervously at the woods. The hushed conversations between the men outside the mill. The fresh dirt piled near the creek behind the cabins.

That evening, as the sun dipped below the jagged peaks, painting the sky in hues of orange and purple, Donald found himself drawn back to the creek. The smell of blood was stronger here, almost overpowering. He followed the creek upstream, pushing through thick undergrowth, the air growing colder with each step.

He rounded a bend and stopped dead. There, nestled amongst the ferns, was a small, hastily dug grave. The fresh dirt was still damp. He knelt, his heart racing in his chest, and began to dig.

The moon peeked through the trees, casting an eerie glow on the scene. The scent of pine and damp earth mingled with the metallic tang of blood. He unearthed a small, leather-bound journal. Its pages were filled with frantic scribbles, detailing a tale of greed, betrayal, and a hidden stash of gold found in the cursed mine. The last entry was dated just three days ago.

As he read, a twig snapped behind him. He whirled around, his hand instinctively reaching for the small pocketknife he carried. Luke stood there, his face a mask of grim determination. In his hand, he held a shovel.

“You shouldn’t have come here, boy,” Luke said, his voice devoid of emotion. “Some secrets are best left buried.”

Donald knew, with chilling certainty, that he wasn’t just talking about the journal. The smell of blood, the missing hiker, the hushed conversations – it all clicked into place. He had stumbled upon a truth that someone was willing to kill to protect.


57. ABANDONED

The farmhouse stood hunched against the perpetual Highland wind, five miles outside Dulnain Bridge. Three years it had been, since the last delivery van had rattled up the track, leaving a box of groceries on the doorstep. Three years of silence, broken only by the bleating of sheep and the mournful cry of curlews. Then, on November 17th, the silence shattered. Three 999 calls, each traced to the same desolate location, each offering nothing but the chilling static of an open line.

Sergeant MacLeod, a man weathered by years of service and a landscape that refused to yield its secrets easily, led the team. The forced entry was almost unnecessary; the old wood splintered with a sigh, as if relieved to be breached after so long. Inside, the air hung thick and heavy, a suffocating blanket of dust and decay. Cobwebs, like ghostly shrouds, draped the furniture, clinging to every surface. The house felt dead, a mausoleum of forgotten memories.

They moved through the rooms, their boots crunching on the debris of neglect. Each room told the same story: of abandonment, of a life abruptly halted. The kitchen, with its rusting appliances and mouldering food; the living room, where newspapers lay yellowed and brittle on the floor. A thick layer of dust coated everything, undisturbed for years. It was as if time itself had given up on the place.

Then they found it. A bedroom. A stark, jarring contrast to the rest of the house. It was immaculate. The bed was neatly made, the covers pulled tight. A colourful rug lay on the floor, its patterns vibrant and unfaded. Toys – a wooden train set, a collection of stuffed animals – were arranged on shelves, each in its designated place. Clothes, neatly folded, filled the drawers and cupboards. The air here was clean, almost sterile, devoid of the musty odour that permeated the rest of the house.

This was a child's room. A young boy's room. And it was perfectly preserved, as if waiting for its occupant to return.

In the centre of the room, bathed in the pale light filtering through the window, sat a rocking horse. Its painted eyes stared blankly ahead, its wooden body gleaming. MacLeod approached it cautiously, a knot of unease tightening in his stomach. He reached out, his hand hovering over the horse's mane.

As his fingers brushed against the smooth wood, a low, rhythmic creaking filled the room. The rocking horse began to move. Slowly at first, then with increasing speed, it rocked back and forth, back and forth. The sound echoed in the silence, a chilling counterpoint to the stillness of the house.

MacLeod recoiled, his heart hammering. He looked around the room, searching for the source of the movement, but there was nothing. No hidden mechanism, no draught, nothing to explain the inexplicable.

The rocking horse continued its relentless motion, its painted eyes seeming to fix on MacLeod. A whisper, barely audible, seemed to emanate from the room, a child's voice, soft and plaintive.

"Play with me," it seemed to say. "Play with me."

The other officers, drawn by the sound, crowded into the doorway. They stared in disbelief at the rocking horse, their faces pale in the dim light. One of them, a young constable named Fraser, reached for his radio, his hand trembling.

"We need backup," he stammered. "We need… something."

But MacLeod held up a hand, silencing him. He took a deep breath, trying to regain his composure. He was a policeman, a man of reason. There had to be an explanation.

He stepped closer to the rocking horse, his eyes narrowed. He noticed something he hadn't seen before. A small, almost invisible thread, tied to one of the horse's legs. The thread led to a crack in the wall, a crack that seemed to pulse with a faint, unnatural light.

MacLeod reached for the thread, his fingers brushing against something cold and smooth. He pulled gently, and the thread came free, snapping with a faint, almost imperceptible sound.

The rocking horse stopped. The creaking ceased. The room fell silent once more.

MacLeod looked down at the thread in his hand. It was unlike anything he had ever seen. Thin as a spider's silk, yet impossibly strong, it seemed to shimmer with an inner light. He felt a sudden, overwhelming sense of dread, a feeling that he had stumbled upon something ancient and malevolent.

He knew, with a certainty that chilled him to the bone, that this house, this room, was not just abandoned. It was haunted. And whatever had been keeping this boy's room preserved, whatever had been making the rocking horse move, was still here. Watching. Waiting.

He backed away slowly, his eyes fixed on the crack in the wall. He knew, with a growing sense of horror, that they had only scratched the surface of the darkness that lay hidden within the walls of the farmhouse. And he knew, with a chilling certainty, that they were not alone.


58. ALLURING

The cursor blinked mockingly, a digital metronome counting down the seconds to my professional demise. My agent's increasingly frantic calls echoed in my head, a symphony of impending doom. Lily, bless her supportive heart, was attending a conference in Prague, leaving me to wrestle with the blank page and the crushing weight of expectation.

I pushed back from the desk, my ergonomic chair groaning in protest. The writing studio, usually my sanctuary, felt like a gilded cage. My gaze drifted to the bay window, seeking solace in the cityscape. That’s when I saw her.

Across the narrow alley, in the identical bay window of the long-abandoned apartment building, a figure flickered. I blinked, thinking it was a trick of the light, a phantom conjured by exhaustion and desperation. But no. There she was again, a silhouette against the dusty glass. A woman.

I knew that apartment was empty. Had been for years. I’d even made inquiries when we first moved in, charmed by the symmetry of the two buildings facing each other. The landlord had assured me, with a shrug, that it was riddled with asbestos and deemed uninhabitable.

Yet, there she was. A wisp of dark curls danced across her shoulders as she moved, a fleeting glimpse of porcelain skin. I strained my eyes, trying to make out more details, but the distance and the gathering dusk obscured her features.

Then, she posed.

The lady leaned against the window frame, one hand resting on the glass, her head tilted slightly. The light, what little there was, caught the glimmer of her eyes. And in that instant, I felt it. An allure so potent, so raw, that it sent a shiver down my pants. She was staring directly at me, her gaze piercing, knowing. A lustful twinkle danced in her eyes. She was clothed in a lacey mauve nightgown that clung to her form like a second skin.

I stumbled back, my heart pacing. This wasn't just a fleeting apparition. This was something…else. Something palpable. Something dangerouse.

Driven by a morbid curiosity, I grabbed my binoculars. As I focused, the details sharpened. Her face, though still partially obscured by shadows, was exquisite. High cheekbones, a delicate jawline, and full, sensuous lips. There was an ageless quality to her, an ethereal beauty that seemed to defy reality.

But it was her eyes that held me captive. Dark, fathomless pools that seemed to see straight through me, stirring desires I hadn’t known I possessed. Her mauve nightgown, I now noticed, was almost translucent, revealing the subtle curves of her body.

I lowered my spy-glasses, my breath catching in my throat. The attraction was almost unbearable. I felt drawn to the floozie, compelled to cross the alley, to unravel the mystery of her existence.

And then ... she raised a hand, beckoning me. Her fingers, long and slender, danced in the air, an invitation I couldn't ignore. The grip of fear loosened, replaced by a growing sense of anticipation.

Lily wouldn't be back for days. The studio felt stifling, the blank page a constant reminder of my failure.

I took a step towards the door.

Then, a thought slammed into me, cold and sharp. What if this wasn't a dream? What if this was something far more sinister? The abandoned apartment, the asbestos, the sudden appearance of this alluring woman…it didn't add up.

I hesitated, my compulsion warring with a primal instinct for self-preservation. I looked back at the window. The tart was still there, her eyes fixed on me, her smile a silent promise of…what? Ecstasy? Or oblivion?

The cursor on my word processor continued to blink, a relentless reminder of the life I was about to abandon. Or was I? The woman across the alley beckoned again, her beauty a siren's call in the gathering darkness. I had a choice to make. A choice that would determine not only my next book, but perhaps, my very existence.


59. EMILY

The year is 1928. Emily clutched her worn leather suitcase tighter as she stepped off the train and onto the grimy platform of Grand Central Terminal. New York City. It pulsed with a frenetic energy that both thrilled and intimidated her. She had come seeking a fresh start, a way to escape the suffocating grief that clung to her like a shroud since her husband, Thomas, had passed away six months prior.

She found a small, affordable apartment in a brownstone in Greenwich Village. The landlady, a Mrs. Hawthorne, was a gaunt woman with eyes that seemed to hold a lifetime of secrets. The apartment was dimly lit, the air thick with the scent of dust and old wallpaper. Emily tried to ignore the chill that permeated the rooms, a cold that seemed to seep from the very walls.

Strange things began to happen almost immediately. Whispers in the dead of night, too faint to decipher. Shadows that danced in the periphery of her vision. Objects moved from one place to another, seemingly of their own accord. At first, Emily dismissed them as tricks of the mind, the product of exhaustion and lingering sorrow. But the incidents grew more frequent, more insistent.

One evening, as she sat reading by the flickering lamplight, she heard a distinct sigh behind her. She whirled around, heart pounding, but the room was empty. A cold gust of wind swept through the room, extinguishing the flame. Plunged into darkness, Emily felt a presence, a weight in the air that pressed down on her, stealing her breath.

Terrified, she fumbled for a match, her hands shaking so violently that she could barely strike it. As the flame sputtered to life, she saw it. A figure standing in the corner of the room, shrouded in shadow. It was tall and gaunt, its features obscured by the darkness, but she knew, with a chilling certainty, that it was Thomas.

He didn't speak, but his eyes, hollow and accusing, burned into her soul. A wave of guilt washed over Emily, a flood of unspoken words and regrets. Had she been a good wife? Had she truly loved him enough? Had she somehow failed him in his final days?

Night after night, Thomas appeared, his presence growing stronger, his silent accusations more unbearable. Emily became a prisoner in her own apartment, haunted by the ghost of her past. Sleep offered no escape, for in her dreams, she relived their life together, the good moments tainted by the bitterness of his illness and the unspoken resentments that had festered between them.

Desperate, Emily sought help from Mrs. Hawthorne. The landlady listened to her story with a knowing look in her eyes. "This building," she said, her voice raspy, "it holds many memories, many sorrows. Sometimes, the past refuses to stay buried."

Mrs. Hawthorne told Emily of a local medium, a woman named Madame Evangeline, who possessed the ability to communicate with the spirit world. Emily, skeptical but desperate, decided to seek her out.

Madame Evangeline was a flamboyant woman with piercing eyes and a voice that resonated with otherworldly energy. After a brief séance, she confirmed Emily's fears. Thomas was indeed trapped, his spirit tethered to the apartment by unresolved issues and lingering pain.

"He needs your forgiveness, Emily," Madame Evangeline said, her voice grave. "And you need to forgive yourself."

That night, Emily waited for Thomas. When he appeared, she stood her ground, her fear replaced by a newfound resolve. She spoke to him, her voice trembling but firm. She apologized for her shortcomings, for the things she had left unsaid, for the love she had failed to express. She begged him to forgive her, to find peace, and to finally let go.

As she spoke, a change came over Thomas. His features softened, the accusation in his eyes fading away. A faint smile touched his lips, and then, slowly, he began to fade, dissolving into the shadows until he was gone.

The apartment still held a chill, but it was no longer a malevolent one. It was the cold of an empty room, a space waiting to be filled with new memories, new beginnings. Emily knew that the grief would always be a part of her, but it no longer held her captive. She was free, finally free, to move on with her life, carrying the memory of Thomas not as a burden, but as a reminder of the enduring power of love and forgiveness.


60. GETTIER PROBLEM

The biting Glasgow wind whipped around Sharon’s trench coat as she stood on the banks of the River Clyde, the murky water mirroring the grey sky above. A chill deeper than the November air settled in her bones. Professor MacMillan, her mentor, was dead. Found slumped over his desk in his cluttered office at the University, a half-eaten scone and a philosophical treatise on his desk. The police called it a heart attack, but Sharon knew better. MacMillan had been obsessed with the Gettier problem, and obsession, in his world, often led to dangerous intellectual territory.

MacMillan had been convinced he’d found a real-world Gettier case, something beyond thought experiments and philosophical musings. "A justified true belief," he’d told Sharon over countless cups of lukewarm tea, "that is, in fact, not knowledge. And someone, Sharon, someone is trying to bury it."

His last email, sent just hours before his death, contained only three words: "The Smith case."

Sharon started her investigation at MacMillan’s office. The police tape had been removed, but the air still hung heavy with the scent of stale tobacco and forgotten dreams. She sifted through the stacks of books and papers, a chaotic landscape reflecting the professor’s brilliant, yet disorganized, mind. She found nothing explicitly about a "Smith case."

Days turned into weeks. Sharon interviewed MacMillan's colleagues, students, even his eccentric landlady, Mrs. McTavish, who claimed he'd been receiving cryptic phone calls late at night. Everyone remembered MacMillan's fervor for the Gettier problem, his increasingly paranoid pronouncements. But no one knew about a "Smith case."

Then, a breakthrough. Hidden inside a first edition of Russell's "Principia Mathematica," Sharon found a crumpled piece of paper. It was a photograph of a nondescript building on the outskirts of Glasgow, with a handwritten note on the back: "Smith & Sons, Importers. Truth hidden in plain sight."

Smith & Sons turned out to be a small import-export business, specializing in obscure goods from Eastern Europe. Sharon paid them a visit, posing as a potential client. The owner, a Mr. Alistair Smith, was a portly man with a nervous demeanor. He stammered and sweated as he showed her around the warehouse, filled with crates of unfamiliar products.

As Smith led her through a maze of shelves, Sharon noticed a small, locked room at the back. "What's in there?" she asked, casually.

Smith’s face paled. "Just… storage," he mumbled, fumbling with his keys. "Nothing of interest."

Sharon didn't believe him. That night, she returned to the warehouse, armed with a crowbar and a healthy dose of adrenaline. She forced the lock and slipped inside.

The room was filled with antique furniture, artwork, and other valuable artifacts. But it wasn't the objects themselves that caught Sharon's attention, it was the paperwork. Invoices, shipping manifests, and letters, all meticulously organized. They detailed a complex scheme of smuggling and money laundering, implicating several prominent figures in Glasgow's business and political circles.

And then she saw it: a letter addressed to Professor MacMillan, detailing the entire operation. It was a confession, written by Alistair Smith's father, admitting to using the import business as a front for illegal activities. The letter explained how Smith Senior, on his deathbed, had confessed to MacMillan, seeking absolution. MacMillan, horrified, had promised to expose the truth.

Alistair Smith had found out. He knew that MacMillan had a justified true belief about his family's crimes, but that belief was based on a confession, a piece of evidence that could be easily discredited, dismissed as the ramblings of a dying man. A justified true belief, but not, in the eyes of the law, knowledge. A perfect, real-world Gettier case. And Smith had silenced MacMillan to protect his family's secrets.

As Sharon pieced together the puzzle, she heard a noise behind her. Alistair Smith stood in the doorway, a pistol in his hand. "You shouldn't have come here," he said, his voice trembling.

Sharon knew she was in danger. But she also knew that she had the truth. And this time, it wouldn't be buried. The truth, however justified, was still the truth. She had to find a way to make it knowledge.